Kheiron, Trainer Of Greek Gods, Heroes… And Centaurs.

Sons of Apollo Series

One of the most understated characters in all of Greek Mythology is Kheiron Khronides. Kheiron was a centaur who lived on Mount Pelion in Thessaly. Though never the star of his own story, his character wielded great influence in the lives of the gods and heroes of mythology as their revered mentor.

Kheiron (pronounced kay-ron, spelled Chiron in Latin), is derived from the Greek word for “hand” and the name means “skilled with hands” or “surgeon.” Khronides (pronounced crow-nee-days) means “son of Khronos” (or Cronus in Latin). Khronos was king of the Titans and ruled the gods before Zeus. Thus, making Zeus and Kheiron half-brothers. Kheiron’s mother was the nymph, Philyra, whom Khronos seduced in the form of a stallion. From this union Kheiron inherited his double form as a centaur- half horse, half man.

As a master in the arts of warfare, music and healing, Kheiron became the tutor and trainer of many of the heroes of Greek myth, including Hercules, Jason and Achilles, and some gods, such as Asklepios, God of Medicine. As such, Kheiron is an influential, though rarely a central, figure in much of mythology. Without Kheiron’s tutelage, these heroes would not have achieved their greatness. What is a hero without his mentor?

Kheiron is depicted much different from his equine kin in both Greek story and art. Often pictured as half-horse and half man from front to back, and wearing a robe, rather than the traditional top to bottom. He is described as wise and cultured, rather than wild and savage like other centaurs. I would speculate this unique representation symbolizes his reputation and legacy as distinct from his equine kin. Perhaps to indicate his more civilized nature.

This discrepancy between one centaur and the entirety of his race intrigued me, as did his role in mythology. Because of his integral part in the lives of those he tutored, his character grew in my mind, as well as his influence on the centaurian culture I was developing in my novel. My inspiration for the role of Kheiron in my stories came from the question, why wouldn’t such a benevolent and sophisticated character wish to help his own kin they way he mentored those prominent Greek heroes? I decided he would. I began with the other prominent centaurs from mythology and inferred that they would have received training from Kheiron as well, namely Nessos, Pholos, Eurytos and Kentauros, all of whom had run-ins with Heracles. My story takes place after the Centauromachy of Ovid’s Metamorphoses, and features the descendants of these principle students of Kheiron.

Another myth involving Kheiron is one with multiple accounts in which the details vary, though the general story is tragically similar. During a visit from the hero, Kheiron was accidentally wounded by Heracles’ hydra-poisoned arrows and traded his immortality to free Prometheus from torment. In some accounts the wounded centaur is Pholos and not Kheiron.

In mythology, when an immortal died, it was often referred to as being “placed among the stars.” Kheiron is consequently sometimes equated with Sagittarius, a sign of the Zodiac.

If you wish to learn more about Kheiron, I would recommend two of my favorite Greek mythology websites:

theoi.com

mythindex.com

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Battling The Centaurs And The Rest Of The Story.

Sons of Apollo Series

The most prominent Greek myth involving the centaurs that served as inspiration for my series, Sons of Apollo, is the story of the the battle between the Kentauroi (tribe of centaurs) and the Lapithe (tribe of men) who were their cousins. The centaurs and the Lapithe were descended from Apollo and the nymph Stilbe, who bore him twin sons, Kentauros, a centaur, and Lapithus, a man. Ovid, in his Metamorphoses, tells of the infamous battle from the perspective of Nestor, king of Pylos. It is a bloody story of the ultimate defeat of the centaurs by the Lapith men at the wedding feast of Pirithoos and Hippodameia.

Pirithoos is a descendant of Lapithus. As cousins of the bridegroom, the centaurs were invited to attend the festivities. Trouble started when the centaurs, namely one Eurytos, become drunk and attempt to rape the bride and her handmaids. Theseus and the other Greek heroes come to their rescue, slaying Eurytos and his companions and a brutal battle ensues.
I have used many of the names of the centaurs from this story however they are not intended to portray these specific characters as chronologically my story takes place after this battle and the centaurs’ subsequent expulsion from Thessaly.

The Centauromachy was a popular theme in ancient Greece and was abundantly depicted in sculpture, architecture, on pottery and in art. Two of the most well-known depictions of the Centauromachy are: the West Pediment Statuary on the Temple of Zeus in Olympia, and the southern metopes from the Parthenon on the Acropolis in Athens.

Interesting to note, is the fact that Ovid is a Roman writer, which is significant for a few reasons. The Roman empire came after the fall of the Greek empire, so Ovid’s story is a later account of a story which must have had earlier origins. The evidence of these earlier origins are the prominence of this story as subject matter in Greek art and architecture and on pottery. Since there are multiple versions of the similar stories from different authors of other myths, it is a safe assumption that Ovid’s account isn’t the first and that there were likely other versions told previously in the form of oral tradition, or even written copies which have been lost to time.

It was also common for local story tellers to change the details of their stories to appeal to their local audiences. Generally the story is the same but some of the details vary, such as the location and the characters. Because I encountered these differences frequently in my own study of the mythology, it supported my idea that the facts would vary if the centaurs were to have told their side of the story and the facts could be considered just as true from their perspective. This awarded me much fictional license with which to justify tweaking the facts to suit the centaurs’ point of view without changing the relative truth of the account.

In my story, the female centaurs arise chiefly as a result of that first battle rather than existing prior to it. That makes a bit of a chronological discrepancy in Ovid’s account, but since the mythology is already inherently full of these little discrepancies, I took that as liberty and justification. In the realm of mythological realism in ancient Greece, my accounts would be no more or less true than any of the others. And since that was my goal, to write something that could have existed parallel to the original mythology, but from the perspective of the centaurs, it works in my favor.

The story of the Centauromachy contains the only female centaur mentioned in myth. Whether she was a later addition of Ovid or simply the last remaining female centaur of oral tradition can only be left to speculation. Female centaurs were popularly depicted in later antiquity and described by historian, Pliny the Elder.

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Inspiration for my Novel Series: “Sons of Apollo”

Current Projects, Sons of Apollo Series

My series, Sons of Apollo, revolves primarily around the mythology about centaurs. In all of Greek mythology, the centaurs are positioned as the bad guys, defeated and driven off or slain by men who are the heroes. The story of the Centauromachy, the biggest battle involving the centaurs, is no exception. My stories were inspired by the question: wouldn’t the centaurs have their own version of the events?
My love for Greek mythology began at an early age when I first encountered the stories of Persephone and Medusa. I already knew I loved fairy tales and folklore, and particularly the fantastical creatures therein, so my introduction in elementary school to these stories was a natural gravitation into the realm of myth with its own heroes, heroines and creatures.
As I continued my study of mythology there were several themes that stood out to me, piquing my interest and fueling my imagination. Most of these themes have been woven into the series. These ideas became the seeds of creativity from which my story was born. The foremost being the way the centaurs were depicted in the mythology. Regarded as little more than animals, the centaurs are driven from their homeland, hated, hunted, feared and slain by men. All but one, Kheiron, (pronounced Kay-ron and sometimes spelled in the Latin, Cheiron) the centaur teacher and trainer of all the famous Greek heroes including Hercules, Jason, and Achilles. Kheiron was revered by gods, men and centaurs alike. This discrepancy intrigued me. I read and researched and filled in the missing information with my own ideas where I felt sufficient explanations were lacking. Though nowhere in mythology does it explicitly state it, I was convinced that such a generous and benevolent being would have offered the same training to his own kin which he offered to men. And thus, in my mind, a culture was born.
Another idea was the fact that there is only one female centaur mentioned in all of these myths. I wondered where she came from, why is she the only one? And was the absence of the female sex in their race the reason the centaurs always seemed to get themselves into trouble when it came to mating and producing offspring? If there were no female centaurs, or even very few of them, then women would be necessary for procreation. This conundrum became the catalyst I needed to first put pen to paper and begin to elaborate on all the “gaps” in mythology that I had begun to mentally refer to as my story. With my own struggle with infertility, the themes of procreation became more and more prominent in my writing. And my story grew.
Every story involving centaurs followed a similar pattern. The centaurs are always portrayed as drunken, riotous and lustful, easily provoked, easily riled and quick to steal away women in every opportunity they found. And always, in any altercation, they were the bad guys needing to be defeated. They were the antagonists in their own stories. But isn’t every villain a hero in his own story?

Book I: Mate For A Centaur is in the latter end of the revision stages, then on to editing and publication.
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Acrylic Painting

Announcement and Updates

Current Projects

My gallery shop is live as of November 2, 2015. I will be adding paintings daily. This is both thrilling and terrifying. I have accumulated a large inventory of paintings over the last decade it’s been since I’ve had a studio gallery to display and sell my work. I’ve participated in shows over the years, however traditionally an art show will only take one or two entries, so I have a lot of work crowding the walls of my in-home gallery. I’m excited to be able to share my work in an online gallery, and find new homes for it. Subscribe to my newsletter for exclusive coupons.

This month I will be participating in NaNoWriMo, which stands for National Novel Writing Month. This is an annual online event where participants commit to write a novel in one month. I will be using this month to write my rough draft for book three in a mythological fantasy series which I am currently working on. I hope to have book one published in 2016.

I am also working on a short non-fiction book: Why You Should Be An Artist Even If You Can’t Draw: 12 key principles to empower your creativity and improve your life. I believe there are two groups of people, those who are creative and those who believe the lie that they’re not. My endeavor in this work is to encourage and empower those who don’t believe they are creative simply because they haven’t developed traditionally creative skills like drawing. I wish to show that there is much more to creativity than simply drawing, and indeed drawing skills are not imperative to creativity. This book is in the editing stages. I will be looking for beta readers for this project which will include access to the pre-publication manuscript, but under the obligation to read within a set time frame and provide necessary feedback prior to publication. If you are interested in participating, you may email me at norma-sue(at)hotmail(dot)com.

I have a lot to keep me busy this month. What creative pursuits are you working on?

How is your book coming?

Current Projects

In any endeavor this is the sort of question which either inspires excitement or dread. Recently I’ve had numerous inquiries about my book. These inquiries have begun to make me think it’s time to bite the bullet and start getting the word out. After all that was, in part, why I started this blog in the first place. I wanted a forum where I could send people so they could see my progress, especially when I feel like the most frequent answer I’ve had to give has been that I’m working on revising (yes, still). Editing and revising a manuscript isn’t a very concrete concept to someone who has never done it. It can be a long and painstaking process.

Additionally, I have been doing lots of research on publishing and marketing in anticipation of finishing the manuscript and the desire to be prepared for the next step in the process. As part of this research, I recently participated in a webinar hosted by writer, Jeff Goins, about his most recent book, The Art of Work. In the webinar he said something that stood out to me (among other things). While writing his first book, he said that people would ask him about his progress. This would always depress him because he wasn’t where he wanted to be in the publication process or in terms of his writing career. He said that by the time he finally “made it” he was glad to have a community of people to share it with. This concept impressed me because it rang true with my own ideas about creating and sharing art.

I have no idea what the journey to publication will be. Likely fraught with any aspiring author’s share of rejection, disappointment, and much more time than is ideal. All of this aside, in the end I want to be able to say I conquered my fears and went for it. Success or failure ahead, I would love to have you along for the ride.

To commence the journey (which actually started a year and a half ago when I decided to buckle down and finish the manuscript) I’m preparing a couple of series to function as a sort of “teaser trailer” in anticipation of the books.

The first will be a collection of information about each of the stories from Greek mythology which either inspired or make an appearance in the story. Hopefully you love Greek mythology as much as I do. You can see a collection of my reference material and research here.

The second will be a collection of character bios for each of the characters in my story. My plan is to include sketches and some finished paintings. You can keep up with my latest paintings in my Facebook Gallery.

My challenge will be to stay on top of all this, and pray I haven’t (as my daddy always said) bit off more than I can chew. Something my mother said recently, which has been on my mind, is that you feast in company, but you binge alone. So I suppose I can say that I’m tackling this project like eating an elephant- one bite at a time. I hope you’ll join me for the feast.